Over a couple of months just did little tweaks and add some other synth element to give it a fusion. Once Greg left I jumped in and started chopping together some ideas.
Hiatus kaiyote bandcamp cracked#
It was a basic recording set up, M88 film induction mic, Fostex reverb with a cracked up harmonica mic and a SM57 mic in room somewhere… Open your eyes and he would be holding a tamb.
Hiatus kaiyote bandcamp full#
If you have ever heard him live you could close your eyes and it would seem that he has a whole band or a least a full kit.
![hiatus kaiyote bandcamp hiatus kaiyote bandcamp](https://f4.bcbits.com/img/a1741986296_7.jpg)
My original plan was to get Greg playing in a nightclub. Every so often we would stop for some water and Greg would impart with stories and wisdom. When we finally connected at my studio we just jammed and got to know each other through just letting go and playing. I continued to go to shows that he would be playing in many different ensembles.įast forward to 2018 and I have learnt so much from Greg, he is always in the back of my mind. I hadn’t ever thought the possibility of ever playing drums or music till the age of 17. I was just there to listen and at this point in my life. My parents used to take me to some of his shows. Perrin: "I have been listening to Greg play since I was about 13, 14 years old.
Hiatus kaiyote bandcamp series#
Under Perrin's newly established Found Heads series the timing was right to share with the world. These recordings have sat dormant since then.
![hiatus kaiyote bandcamp hiatus kaiyote bandcamp](https://www.sala-apolo.com/uploads/media/default/0001/02/thumb_1585_default_wide.jpeg)
features master percussionist Greg Sheehan, who Perrin recorded and improvised alongside in a marathon day-long session. Greg played on tambourine, gong, drums and various percussion items laying in Perrin's Kensington studio in November 2018 and Perrin has added in electronics and experimental processing of Greg's ecstatic and trance inducing performances. Out May 10 via Soul Has No Tempo, Mitchell’s MONSTERA DELICIOSA stands as a sublime genre work, peerless in Australia - his magnum opus bears the name that’s backed him from day one: LANEOUS.Found Heads Vol 1. After selling out the Melbourne launch of the single, the band was invited to headline Gilles Peterson’s Worldwide FM x Northside Records live Melbourne broadcast, teasing exclusive album cuts and drawing high praise from Peterson, stating it was “.one of the most incredible live performances I’ve seen’. The debut single Modern Romance was unleashed in October 2018 with a kinky, captivating visual accompaniment that marked the return of the Laneous legacy. In classic Laneous fashion, the musical references for the record run deep, winding through an eclectic array of artists from Martin Denny, Burt Bacharach and The Beach Boys to Shuggie Otis, Wild Cookie and Wu-Tang. Excited to create new music with an artist they’d previously referenced as an inspiration, Paul Bender and Simon Mavin (Hiatus Kaiyote) came on board swiftly, joined by Hudson Whitlock (Cactus Channel) on drums and Donny Stewart (Jazz Party) on vibraphone and flugelhorn - a key element in bringing Mitchell’s vision of an exotica/soul infused album to life. In 2016, after 8 years of humbly dominating the Australian underground art, soul and jazz scene Mitchell relocated to Melbourne - a move that would instigate and inspire the long-awaited debut solo LANEOUS record that fans and peers had been craving for nearly a decade. But while Hiatus’ Nai Palm told media Laneous was “a genius” he often credited music and drawings to pseudonyms. Regularly sought after to provide features for other bands and cover art for Hiatus Kaiyote albums Tawk Tomahawk and Choose Your Weapon, he worked diligently to support his community. A world-class guitarist, vocalist, composer, visual artist and – significantly - muse, Mitchell’s unique ability to shine, create and inspire across genres was his obvious forte, even then. Word of their talent soon reached UK’s perennial tastemaker Gilles Peterson who featured the band on his compilation, Brownswood Bubblers Four alongside other breakthrough acts at the time, Mayer Hawthorne, Floating Points and Lone. " like a human centipede sewn out of all the greatest musicians from the past 80 years" - Liam Pieper (Beat Magazine)Įmerging from Brisbane’s music-art bohemian West End in 2008, self-taught, prodigious musician Lachlan Mitchell aka Laneous, began his eclectic and colourful journey in music as the leading member of funk band KAFKA, stamping his trademark falsetto croon on an Australian music landscape that wasn’t quite ready for an artist whose standout influence was D’Angelo’s ‘Voodoo’.
![hiatus kaiyote bandcamp hiatus kaiyote bandcamp](https://f4.bcbits.com/img/0025096978_10.jpg)
"One of the most incredible live performances I’ve seen" - Gilles Peterson (BBC Radio 6 Music) *** Nominated for ALBUM OF THE YEAR at the Gilles Peterson Worldwide Awards 2020 ➙ wrldwd.fm/WWA20